#Who makes the psst brand series#

They ate green-bean tempura and lacquered lamb chops while Harris, a precocious dandy of the theatre world, held forth on being fitted earlier in the day for his outfit, a custom Thom Browne suit in red-and-blue gingham. Harris, the “Succession” star Nicholas Braun, and several others who’d worked on “Zola,” Bravo’s super-fuelled 2020 film about a pair of strippers on a road trip gone wrong.

Inside, at a secret outpost of a Japanese restaurant, she joined a table alongside the director Janicza Bravo, the playwright Jeremy O. In Chinatown, she got out in front of a shabby walkup a block from Canal Street. She is recognizable by her voice, but also by her Clara Bow eyes and her wild Titian curls, which lend her wise-guy mien a jolt of femininity. “When I get nervous, I become Joe Pesci,” she told me. In front of a crowd or a camera, the effect becomes even more pronounced. Her accent is outer borough, featuring rumbustious pronunciations (“cahk-a-rooch”) and the raspy “Ehhhh”s of a tired old rabbi settling into a comfortable chair. Lyonne speaks in the rhythms of a Borscht Belt comedian. “Thank you, gentlemen,” Lyonne said, and mimed the doffing of a cap. Before she could flag one, a group of young men in suits and ties recognized her and gave up theirs. Meaning, you know, being hyper-decisive and obsessive and tireless.” She pulled out her phone and ordered a Lyft, then decided that the wait was too long and strode to the curb to hail a yellow taxi. “It just turns all my defects into assets. “Directing is this whole other third thing that came into my life, and I’ve never felt so at home,” Lyonne said. She wrote four of the seven episodes, directed three, and had a hand in every aspect of postproduction.

#Who makes the psst brand series#

Lyonne co-created the series with Amy Poehler and Leslye Headland, and for Season 2, which premières on April 20th, she has taken over from Headland as showrunner. The accident is fatal, but instead of expiring Nadia finds herself in a “Groundhog Day”-like loop of reliving the same night and then dying in increasingly gruesome and unlikely ways. She’d spent the afternoon doing a “watch-down” of new episodes of “Russian Doll,” her macabre Netflix comedy, in which she stars as Nadia Vulvokov, an East Village video-game engineer who in the first season gets hit by a cab on the night of her thirty-sixth-birthday party. “Short, like Robert Mitchum would have smoked,” she explained. On a November evening outside a sound-editing studio in Chelsea, Natasha Lyonne was sipping a can of Red Bull Sugar-Free and puffing on a Marlboro Light 72, her brand of choice. This content can also be viewed on the site it originates from.